New
Releases -- signed & unsigned artists
The
Cribb
Theo Wilson Square
Release date: June 10th
The Cribb's
(named one of the top unsigned artists of 2002 by Music Connection)
debut CD is produced and mixed by Rogers
Masson . "The Cribb is a group that has already
realized their considerable potential. Its now up to
labels to discover this polished jewel of a band."
-- Music Connection.
To celebrate
the occasion the band will be playing at:
House of Blues on the Sunset Strip!
8430
Sunset Blvd. West Hollywood, CA 90069
323/848-5100
6/10 -
Tuesday
The Cribb w. Fred Wilson opening
Doors: 8pm Show: 9pm
Tickets for $10 can be purchased online
or via phone at 323/848-5100 or at the box office. For one
night only the CD is offered to fans for $5. For more info
visit The
Cribb Web Site or call manager Shane Tobin at 323/806-9500
Ed
Harcourt
From Every Sphere
Astralwerks
will release the long-awaited new album from critically-acclaimed
singer-songwriter Ed Harcourt. A richly-arranged masterpiece
of technicolor texture and soaring songcraft, From Every Sphere
was produced betted Blake (Tom Waits, Low, American Music
Club). Look
for Ed to tour the US in June, with a September tour with
REM to follow.
Rurik
with A New CD Release, To Play Vans Warped Tour 2003
Also catch Rurik at Key Club in W Hollywood May 27th
Electro-rock
band RURIK has been chosen to play selected dates on the Vans
Warped Tour 2003. or Warped2003
RURIK
has just released their new full length album, "The Order
of Chaos," engineered/mixed by Rudy
Haeusermann of 126bpm
Productions. Haeusermann's experience in several genres
of music has found him working on projects as eclectic as
Rob Zombie, Snoop Dogg and Tina Turner. Mastering
done by Dave Collins of Marcussen
Mastering.
The lead track "High" was mixed by three-time Grammy
Award winner Warren
Riker (Down, Korn - complete bio at: zigzagcommunications
For
more info contact: Jeff Olson of Athir Creative Productions
(323) 856-9422
Doc
Powell
97th
& Columbus
Release Date: 3.25.03
New recording
by famed guitarist Doc Powell is available as an SACD in 5.1
Surround Sound. Best known as a solo artist and the guitarist
for so many years with Luther Vandross and Kirk Franklin,
Powell captures the Manhattan vibe on 97th & Columbus.
Joined by such great musicians as George Duke, Marcus Miller,
Patrice Rushen, Harvey Mason and vocalist Luther Vandross.
Powell pays tribute to Mikell's night club where many musicians
learned their craft. To
learn more about this wonderful recording click here
Yellowjackets
Time Squared
Release Date: May 27th 2003
Following on the heels of their Grammy-nominated Mint Jam,
Yellowjackets' self-released 2001 live recording (subsequently
released oversea on Heads Up International), Yellowjackets'
first studio album in five years will be released on May 27th.
Join the Jackets in New York City and stay in Times Square.
See the Jackets at the Iridium Jazz Club and receive tickets
for a Broadway Show. To
learn more about this wonderful recording click here
ATC
(Acoustic Transducer Company) SCM50 monitors used by ABKCO
Records for
the Sam Cooke Re-mastered Series.
Recently
in the news with their landmark reissue of 22 early Rolling
Stones and five Sam Cooke albums on hybrid Super Audio Compact
Disc, ABKCO Records has installed a stereo pair of ATC SCM50ASL
Pro active three-way monitor speakers in the company's pre-production
listening environment. They're very musical and have great
mid-range, and they're so accurate," says chief audio
engineer and tape archive researcher Teri Landi of the ATC
monitors.
Blink-182s
latest release goes vintage API
Vintage API console (No.3) handles Blink 182's upcoming release.
Seated at the console is recording engineer Ryan Hewitt, standing
Mark Hobbus, Blink 182's bass player.
Platinum-selling punk/pop trio Blink-182
recently set about recording their highly anticipated follow-up
to 2001's "Take Off Your Pants and Jacket," working
once again with longtime producer Jerry Finn, plus recording
engineer Ryan Hewitt and assistant Sam Boukas. The
engineering team collaborated with Luis Arteaga of Signature
Sound Recording Studios and David Lyon, president, of pro
audio dealer Sonic Circus to arrange for a temporary studio
to be setup in a rented house in the San Diego area. The collection
of high-end equipment, including a classic API analog mixing
console, was assembled and installed by Tony Lopez of Studio
Support Services, working seven days straight to finish in
time for the first session.
"It's
a 48-input, 24-monitor desk," says Hewitt of the API
console. Hewitt recently completed engineering a solo record
by John Fusciante (Red Hot Chili Peppers), as well as projects
by Tom Petty and Frankie Perez. "The console is serial
number three, and came out of Soundtrack New York." Using
Finn's Tannoys and his own Proac nearfield speakers, Hewitt
observes, "Mainly we're monitoring through the desk,
and doing rough mixes. Given the
fact that we're on two-inch tape and high-res Pro Tools HD,
the headroom and the frequency response of the console is
really important. We're counting on the fact that what goes
into it comes out."
Lucid
as master reference source to clock Digidesign
ProTools HD
Paul
Levy, Advanced Audio Rentals, North Hollywood, California
Hollywood's
motion picture sound stages increasingly require recording
and playback of very large numbers of high-resolution audio
tracks during scoring and dubbing. To cope with the demand,
Paul Levy at Advanced
Audio Rentals in North Hollywood has assembled a series
of high-resolution Digidesign ProTools HD systems, each combined
with a Lucid SSG192 High Definition Studio Sync Generator
acting as the master clock reference. Where
necessary, additional synchronized clock outputs are provided
by Lucid's
GENx6-96 distribution system.
"We
use the SSG192 as a master reference source to clock the Digidesign
192 boxes rather than use loop sync, because it's a much tighter
lock," comments Levy.
Future
Of Tape!
The 2003
line up of RADAR 24 hard disk recorders from iZ
Technology features both third generation recording technology
and a streamlined workflow, courtesy of the system's dedicated
user interface. Each hand built system is manufactured to
the highest standards and provides the operator with robust,
"crash free" 24/7 performance. A perfect solution
for any mission critical audio application that requires replacing
aging tape machines or unreliable, mouse and display driven
Mac and/or PC based systems.
L-R:
Terry Lewis and Jimmy Jam (Janet Jackson, Bryan Adams and
Mariah Carey) picutred with Radar.
The sonic
character of RADAR converters has earned them a stellar reputation
among audio professionals around the world. They are relied
upon daily for the warmth, dimensionality and detail that
they provide. The RADAR brings you the best of analog fidelity
without the noise, cost and other drawbacks associated with
tape.
"We
love RADAR® 24 because it sounds like analog tape. It's
fast, reliable and easy to use. When you're recording Janet,
Sting, or Mariah, you can't afford to miss a take. The iZ
Technology RADAR® 24 is a hit with us and
...we love hits," say Jimmy Jam & Terry Lewis.
Other Producer/Engineers who are using Radar are David Leonard,
Daniel Lanois, Hugh Padgham and Mark Howard. David Leonard
will be tracking KD Lang's upcoming CD on Radar 24 at Conway.
Artists
using Radar include: Christina Aguilera; Barenaked Ladies;
Beastie Boys; Beck; Bono; Boyz II Men; Brandy; Garth Brooks;
Cher; Eric Clapton; Elvis Costello; The Cranberries; Ani DeFranco;
Korn; Limp Bizkit; Madonna; Ricky Martin; Matchbox Twenty;
Dave Matthews Band; 'N Sync; The Offspring; Luciano Pavarotti;
Puff Daddy; Red Hot Chili Peppers; Carlos Santana; Smashing
Pumpkins; Smashmouth; Snoop Dogg; Britney Spears; Sting; Verve
Pipe; plus many more . . .
"RADAR
is the most analogue sounding digital recorder. It is stable
as a
rock and brilliantly designed by an expert team that know
their audio," says John Oram "Father of British
EQ"
Basic
RADAR 24 configurations cover a broad range of price points;
from the $4,995.00 RADAR 24: Project D, to the fully loaded
192 kHz S-Nyquist at $17,995.00 (nominated for a 2003 Mix
Foundation TEC Award).
For more
info call your friendly Radar 24 dealer and studioexpresso
member Audy
Kimura at (808) 396-6861 or e-mail
Audy here . You may also visit
Iz technology web site.
Hollywood
insiders review high-precision DSD recordings made to Genex
GX9048 Multiformat System
Photographer:
Mel Lambert/Media&Marketing
Left-to-right: Simon Burges, Genex Audio Hardware
Design Engineer, Mike Pappas, President of American Digital
Recordings, Kevin Brown, President of Genex Audio, and Paul
Stocker, Genex Audio Software Design engineer.
Last Monday
night at Cello
Studios, Genex Audio organized a showcase for a series
of 5.1-channel Direct Stream Digital recordings of the legendary
Count Basie Orchestra made by engineer Mike Pappas, president
of American Digital Studios. The invite-only audience of some
100+ engineers and producers heard original unmixed recordings
replayed direct from a Genex GX9048 Multi-Format Digital Multitrack
system via a 5.1-channel Avalon Acoustic loudspeaker array.
The results sounded impressive, according to many audience
members.
Mike Pappas
tracked the multichannel sessions held at the University of
Michigan to a high-resolution Genex GX9048 system, using various
surround-sound arrays of Neumann and Sennheiser microphones.
The concert sessions will be used to prepare a Super Audio
CD celebrating the 75th Anniversary of Neumann - and the 100th
Anniversary of Count Basie's birth.
"I
have been using Genex recorders for a number of years,"
reports Pappas, CEO and Master Recordist of American Digital
Recording. "We secured GX9048 Serial #0001 - the first
production model - and it performed flawlessly on the session.
The system proved rock solid and totally reliable."
The Genex
GX Series Digital Multitrack Recorders, which comprise the
GX9000 8-Track and GX9048 48-Track, provide both Direct Stream
Digital and 192/24 PCM performance. The GX Series are the
first instant-access DSD recorders to provide seamless punch-in
and -out, and the first recorder capable of processing up
to 48 channels of DSD data.
More information
from Mike Pappas,
American Digital Recording: 303.988-0976
Genex Audio, Inc., 2116 Wilshire Blvd., Suite 210, Santa Monica,
CA 90403, USA
Media
contact: Mel Lambert Media&Marketing +1/818.558-3924
Demo
Magic with GML
Songwriter
Randy Goodrum¹s project studio is filled with GML pre-amps
and compressors for the best sounding vocals.
Randy's
success as a songwriter stretches back to the 70's, when England
Dan and John Ford Coley recorded "It's Sad to Belong."
Since then, Goodrum has written hits for Steve Perry ("Oh
Sherrie" "Foolish Heart"), Michael Johnson
("Bluer Than Blue"), George Benson
("20-20"), Anne Murray ("You Needed Me"),
and well, the list goes on and on.
Originally
introduced to the Nashville music scene as a session player,
Randy Goodrum has also written for films ("Stir Crazy"
and "Back to School") and TV (he co-wrote the theme
to "One Life To Live" with Dave Grusin).
Goodrum
has also had his own project studio since the early 1980's.
"That's right, home studios were extremely rare back
then. But I spent so much money one year paying studio bills
that I decided to go ahead and build my own room. The learning
curve was steep, but I had worked with some great engineers,
including Elliot
Scheiner, and they were always willing to give me advice.
I have
four GML transformerless mic pre-amps, the 8900 Dynamic Gain
Control Series III compressor/limiter, and the 8200 stereo
EQ module. I rely on this gear extensively, and couldn¹t
see myself working without any of these three pieces,"
says Goodrum.
Geiger
Lists with William Morris Agency
ArtistDirect Vice Chaiman Marc Geiger has taken a position
at William Morris Agency while Nasdaq has notified ArtistDirect
that its stock will be delisted.
Geiger
recognizing the enormous potential of the Internet to provide
a direct link between recording artists and music consumers,
he purchased UBL.com in '94. His vision for the company was
to create a combination of an artist channel and an electronic
commerce showcase. The evolution of Mr. Geiger's career is
a well-balanced education in all of the key components of
the music industry. From 1984 to 1991, he was a talent agent
for Triad Artists, which was later acquired by the William
Morris Agency. Recognizing the growth of alternative music,
Mr. Geiger developed and ran a division of the agency to serve
this important sector. Alongside Don Muller and Perry Farrell,
Mr. Geiger created the critically acclaimed Lollapalooza concert
tour, which premiered in the summer of 1991. Subsequently,
Mr. Geiger was appointed Executive Vice President of Marketing
and New Media at American Recordings. A Connecticut native,
Mr. Geiger found his calling in music working as a concert
promoter while still a computer science student at the University
of California, San Diego.
Elton
and Bernie to score Lestat for Broadway
Elton
John and lyricist Bernie
Taupin are to bring author Anne Rice's character Lestat
to the Broadway stage.
Speaking
at a news conference in New York yesterday John said he hoped
to finish work on the content by September, with the show
hitting the stage in 2005.
It is
understood the musical will be based on three Rice novels,
'Interview With the Vampire', 'The Vampire Lestat' and 'Queen
of the Damned', with the emphasis on the first two.
Instant
Live from Clear
Channel
The service, Instant Live, offers fans the opportunity to
purchase CDs of the concert they just attended before they
leave the venue. It has been test-marketed at small venues
in the Boston area. CCE has forged an exclusive deal with
Best Buy to carry the live CDs in its Boston-area stores,
or at BestBuy.com, beginning later this month. CDs from select
Boston concerts will be available soon at CCE events nationwide.
Additionally, fans can pre-order the CDs when they purchase
their concert tickets.
To make
the discs, a master recording is made that blends music from
the band's mixing board with ambient sounds, including crowd
noise, from other microphones. As soon as the show ends, the
master copy is taken to a small tower of CD burners, each
of which can duplicate up to eight discs at a time. Fans will
be able to preorder the discs when they buy tickets for the
concert or place orders at any time during or after the performance.The
two disc set will sell for $15.
Irving
Azoff, said he was enthusiastic about the Instant Live concept,
especially at a time when concert concession sales are declining.
"I, for one, would rather have a live CD of the show
that I can take home than a T-shirt," he said. "So
I think it's the future of the touring merchandising business."
Mr. Azoff said he was talking to Clear Channel about offering
Instant Live discs during a summer tour of the vintage rock
bands Journey and REO Speedwagon, provided that the company
can demonstrate its ability to churn out enough discs to satisfy
an arena-size audience.
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