Lenise
Bent
mixer l engineer l producer
POST-AUDIO MIXER/EDITOR l FOREIGN DUBBING SUPERVISOR/
ARCHIVIST l INSTRUCTOR
Watch
Lenise Bent Interview from Village Studios Here!
Courtesy of Record Production, Babblefish and studioexpresso
History:
Born in Los Angeles, Lenise started her career at the early
age of 8 in the Screen Childrens Guild, doing extra work in
the TV and film industry. She already had her first tape recorder
by then which she had begged for and received on her 8th birthday.
Coming from a musical family, singing and performing were a part
of everyday life, with Lenise studying piano and flute and making
her first recording with the Compton Youth Symphony Orchestra at
9 years old. Throughout high school she split her time between seeing
films and live music every chance she got and eventually went on
to study film & TV and radio production at USC & Cal State
Long Beach. As her passion for music began to dominate her life
Lenise shifted her studies to audio engineering at SoundMasters
Recording Institute, one of the only recording schools in existence
at that time. Soon after graduation she started her recording career
as an assistant engineer at The Village Recorders in Los Angeles,
working on several albums including Aja by Steely Dan,
Breakfast in America by Supertramp and Tusk
by Fleetwood Mac. Later she became chief engineer for producer Mike
Chapman recording the platinum selling record AutoAmerican
for Blondie plus several of Chapmans other artists such as
The Knack and Suzi Quatro, recording at a variety of studios which
include The Record Plant, Air London and United Western, which later
became Ocean Way, then Cello, and now EastWest Studios.
Eventually Lenise moved into post-production mixing, editing and
supervising where she still works with all types of audio, from
music to voice-over, ADR and foley. She has traveled all over the
world for Dreamworks, supervising & producing vocals and dialogue
for their foreign language versions of films including SHREK, SPIRIT
& SHREK 2.
Lenise is a long-standing member of NARAS, AES, The Blues Foundation
and the Producers and Engineers Wing of the Recording Academy and
is on the board of directors of the Los Angeles chapter of Women
in Music. She is also a production coordinator with Active Music,
a non-profit organization that raises awareness and money for other
non-profits through the music community.
Robert
Fleishchman's CD "Look at the Dream" mixed at Glenwood
Place on the Neve 8068. l-r: Robert Fleischman, artist, singer/songwriter/producer
(formerly with Journey; wrote several of their hits including "Wheel
in the Sky"); Lenise Bent, mixer, production coordinator
Current Credits:
Lenise periodically teaches master classes at various recording
schools including SAE-LA and Citrus College on Studio Budgets,
Protocols and Etiquette, Location Sound, Foley and Hard
Effects and History of Audio Recording which she
conducts at the Grammy Museum. She also consults with professional
singer/songwriters helping them understand professional recording
techniques, critical listening and how to best use their personal
recording environments and gear.
Five years ago Lenise returned to her true love, music, and is recording,
producing and consulting with up-and-coming independent artists
as well as seasoned professionals. She believes there are
only two kinds of music
good and bad. I love working on all
styles
as long as its in the first group.
Lenise with legendary bluesman Pinetop
Perkins
Contact: Lenise Bent
Soundflo Productions
e-mail: [email protected]
copyright 2004 studioexpresso
updated 2010
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